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While Casarosa believes his story can’t be a queer romance because no characters become romantically involved, the story hits too many significant and familiar common aspects of the LGBTQ+ experience for it to be ignored as a queer narrative. In response to viewers who reacted to trailers by hoping the film might be a childhood gay romance, Luca director Enrico Casarosa rapidly shut the notion down, saying “I was really keen to talk about a friendship before girlfriends and boyfriends come in to complicate things.”Īfter the movie’s release, it became clear what a reductive stance this was.
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But with Luca, the attempt to shut down audiences’ imaginations went a step too far. Disney’s tendency to tease its audiences with queer bait, only to yank those readings away (or have them be blink-and-you’ll-miss-it moments between background characters) is well-documented. The squashing of a clear queer read was even more blatant with Pixar’s 2021 animated film Luca. While it’s important for media to depict non-toxic male friendships, his response disheartened many fans who had enjoyed their speculation on the topic, and their ability to relate to the characters in their own preferred way.
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While the series said nothing definitive on the matter, Mackie quickly tried to squash the idea, bemoaning that two men cannot just be friends these days without being perceived as queer. Many fans read the close physical and emotional bond that Sam and Bucky develop throughout the show as a possible romantic stirring.
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This came up recently with Anthony Mackie and Sebastian Stan’s portrayal of Sam Wilson and Bucky Barnes in the Marvel Cinematic Universe series The Falcon and The Winter Soldier. For some reason, those creators never seem to consider the inherent value these reads provide to the community - even though they’re drawing on tropes derived from that community’s personal experiences. Often, that backlash is coming from the writers, directors, and actors behind a given piece, who seem eager to stomp out any potential perception of their work as a queer narrative. Even in 2021, in spite of a growing acceptance of the LGBTQ+ community and a steady increase in queer representation across certain sections of media, queer reads of characters and narratives are still receiving backlash. The internet age may have made queer reads of canonically non-queer media more widespread, but they’re nothing new - and neither is the reactionary resistance against them.